Friday, April 3, 2026

Flash Gordon: He'll save every one of us!


Queen's Greatest Hits album was the first actual LP record I ever bought with my own money, and one time at a pub quiz I proved I was the biggest Queen nerd in the room by easily naming 10 of their albums (this was before the movie, when their music found whole new audiences).

But if I had a ray gun to my head and was asked to name the best Queen album ever, I would almost definitely pick the Flash Gordon soundtrack. 

It's certainly the one I've listened to the most, on long road trips in my car, or as background noise in the house. I bought the cassette tape from the DEKA store in Timaru in 1989, and still have that tape, and it still sounds totally rad. There is a particular appeal in soundtracks that are composed entirely of one rock band's efforts - the Young Fathers' music in 28 Years Later being a prime recent example - but nobody ever did it better than Queen.

It's almost a musical - the scintillating riffs spliced with judicious use of dialogue, and you can easily follow the story of Flash and Dale and their pals overthrowing the evil Emperor.  I never get sick of hearing General Kala's dispatching of War Rocket Ajax to bring back Flash's body.

It's also got a terrific wedding march - I listened to it on the day I got married to get the blood pumping - and some moody, long bits of ambient dreaminess as they sail through the void, with the occasional thudding drums pushing through to remind us of the emergency.

And above all, the thumping, soaring theme song - with that insistent, pounding bass, and the plaintive wailing for someone, anyone, to save the world.  

I've listened to all of Queen's albums to various degrees over the years, but the Flash soundtrack is still the one I want to listen to the most. It's great for listening to during a long writing session, and it's even better when I've got nothing more to do than lie back and listen, and let Queen take me to another world.

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