Wednesday, May 6, 2026

A Clockwork Orange still makes me sick


After recently watching A Clockwork Orange for the first time in years, I think I can safely say that it will be a few more before I ever watch it again. It's such an intelligent and wonderfully weird film, with an eternal score by the wonderful Wendy Carlos, some incredible slow motion work and  a truckload of big, weighty themes. But it's also super fucking gross.

Everything in it is revolting - the fashion, the decor, the way Alex eats those peas at the end, the perv teacher drinking the water with the false teeth in the glass. Malcom MacDowell's smirk is deeply creepy, his singing and clumsy use of ultra-violence is off-putting and his retching once he goes through the treatment is properly appalling. That gorgeous Carlos soundtrack is the only part of the film I would ever want to revisit (I always thought it makes a great soundtrack to any writing efforts).

Kurbick famously took this movie out of circulation in the UK for several decades because he was concerned about copycat crime, but he shouldn't have bothered. Everything in the story of Alex and his droogs is awful, and there is nothing there that anyone should want to repeat. 

Tuesday, May 5, 2026

Death of a blog


Every now and then I check the links in the row of blogs going down the side of the Tearoom of Despair over there - the ones that play the beats I like - and I discover that another one has vanished, with just the oblivion of the 'Page Not Found' message left behind.

I lost all faith in any corporate website ever having a proper archive after just a few years, and feel this is a major contributor to the cultural black hole of the early 21st century. That hole has been fed by the failure of ambitious web businesses, and now personal sites are also fading away. 

I don't blame the people who created the great comic blogs of the 2000s and 2010s for shutting up shop. It's their shop to shut, and they're well within their rights to close things down, when they realise they can't be bothered to paying the hosting fees for another year, and are happy to let their efforts evaporate into the ether.

But I still feel a notable pang of grief when I see another has disappeared. There was, for example, a tonne of great writing and some terrific podcasts on The Factual Opinion that isn't there anymore, (although you can still thankfully find old episodes of Travis Bickle on the Riveria here, and there was even a truly unexpected episode of Comic Books Are Burning in Hell the other week).

The latest one to disappear was one my of my all-time favourites from the golden age of comic blogging - Dorian Wright's postmodernbarney. I went looking for one of Wright's old FCBD write-ups, because they were truly exhaustive in the best possible way, but it's all gone. I still follow Wright on Bluesky and never tell him how much I have loved his stuff, because he does not suffer fools (and foolish nerds in particular), and I find it hard to lavish people with praise without sounding a bit foolish.

There are still some glorious personal archives out there, and I regularly read up old reviews on places like the Savage Critics. There are still some lunatics who still blog on a regular basis, and I never, ever miss a post by blogging royalty Mike Sterling, deadset legend J Caleb Mozzocco and my pal Nik. None of them seem to be going away any time soon.

I regularly back up the Tearoom, because I don't trust blogger.com, although I've been here since 2009 and it's been okay so far. But I'll also always try to keep some kind of record of all of the nonsense that I post here, for as long as I'm able, because the embarssing early stuff is part of the whole picture. I'm not letting that fade away.

Monday, May 4, 2026

The terror of the first record shops


There is a very specific age in life when music suddenly becomes the most very important thing in the world. It's usually around the time that puberty kicks in and there are big decisions to be made at this time - the type of music doesn't fully define who you are and who you are going to be, but it can be a fucking big signpost on that path. 

I spent my childhood in bookstores, but I was always fascinated by the record shops, and the old weirdos who filled them. It wasn't as intimidating as something like the pub, where kids were definitely not allowed, but it was still a little scary - I just didn't understand all the genres and styles, and record shops were stacked with old music and weird ephemera. 

It can be especially daunting when you're not sure about the music you're choosing, and you're flailing around, trying all sorts of things, and never knowing what is going to speak to you, and really get through to your soul. 

My first big music love was for Pink Floyd, and I had no access to internet knowledge, or even much in the way in books, so I knew nothing about them, and that was the kick in the arse that got me going to the record stores regularly, where I would spend countless hours, trying to figure out if Relics was a 'proper' Floyd album.

They reckon that smell is the easiest way to trigger memories, and I totally believe that's true. Sometimes I smell 1995 at the cinema, and the other day I smelt a pile of dusty albums sitting in an old record store and was taken all the way back.

There were several kinds of record store - there were the big neon mega-stores, almost all gone now, and loads of middle of the road outfits, full of top 20 and not much else, which definitely did not survive. And then there was the record shops that all had the strange stuff, usually run by very surly older men who were obviously judging you just by the way you browsed.

It wasn't just the places themselves that gave me the existential shits, it was the vast amounts of unknown music they represented, and how unsure I was in my own tentative steps. 

In the end, it was the grumpy guys who survived, because they provided a curation service, and while they were definitely the scariest places to start off with, they were also the ones where I later became extremely comfortable, a regular who the owner could recommend new tunes to. 

It really wasn't long before I became one of those scary old crusties, and I remain one of them to this day. I just try not to judge the kids who keep coming in, looking for their path, and let them figure it out for themselves.  

Sunday, May 3, 2026

A1: I've got this sneaky feeling I've been taken for a ride.


- A1 #1 
Pictures and words by Garry Leach, Barry Windsor-Smith, Alan Moore, Eddie Campbell, John Bolton, Graham Marks, Brian Bolland, Steve Parkhouse, Bill Sienkiewicz, Dave Gibbons, Ted McKeever and Glenn Fabry. We used to have COMICS, man.