I’m sitting in a disturbingly healthy café on Shaftesbury Ave in the centre of London. It’s mid August and I’ve just arrived in the UK, and one of the first things I do after travelling thousands of miles to get here is go out and buy five new issues of 2000ad from Forbidden Planet.
I’m usually about ten weeks behind with the
comic by the time it gets to my end of the world, but now I get to read a solid
chunk of thrill-power in one go, and this is a proper dose: the final parts of the latest Dredd
mega-epic – Day of Chaos – and the last few chapters of the 15-year-long
adventures of Nikolai Dante. I’ve got a lot of heavy emotional investment
wrapped up in these two stories, (sad but true), and I’m desperate to see what
happens next.
So I read the comics in about ten minutes,
sitting in that café while the lovely wife enjoys some kind of weird
yoghurt/muesli thing, and they’re done. The Dredd epic ended on a massively
abrupt note, and Dante’s fate was weirdly inconclusive, and I can’t help it. I
can’t help thinking it: ‘Is that it?’
It’s my own fault, of course.
Disappointment often comes from unrealistically high expectations, and with both
Dredd and Dante consistently exceeding my expectations for the past decade, I was certain
these climactic chapters would be more of the same.
I don’t even know what that it actually was
that I was expecting. Something epic, and majestic, probably. Some note of
triumph, almost certainly. Something conclusive, anyway.
Instead, both end on a relatively rare down
note. Each ending is far quieter than the stories that preceded them, even as
they bring everything to a conclusion, tying up a few plot threads while
leaving others hanging.
It just wasn’t what I was expecting, and
it’s taken a few weeks to appreciate these comics a bit more. I didn’t get what I wanted, or expected, or
even demanded from these stories, but I’m feeling more and more impressed by
the fact that they didn’t give me what I asked for.
The Dredd ending was particularly jarring.
At least Dante had been winding up for a while, and there were plenty of
warnings that that particular end was coming. But after a year of build-up, the actual Day
of Chaos in Judge Dredd ended up being a couple of episodes long – just 12
pages.
This did not conform to the pattern of a
Dredd mega-epic. They might have long lead-in times (or sometimes just pop up
out of nowhere), but the actual epic would always be between 20 and 26 issues
long. (It’s notable that the length of a Dredd epic – in pure page count – is
often less than the average six-issue US trade
paperback).
So after a year of stories counting down to
the Day of Chaos – including a few interludes and the 20-part Eve of
Destruction arc – to see it come to an abrupt end after two issues was actually
quite shocking.
Like actual violence, the build-up is the
drawn-out part, but the actual event is over in an instant. It’s all set up,
even if there is no resolution, because there is nothing left to resolve, just piles of corpses as the horrific death toll gets higher and higher.
There would be no moments of fight-back, or
triumph, or victory for Judge Dredd in this story. There is only containment of
the threat, the ultimate lawman limited to damage control rather than justice as his city dies horribly around him.
This might be the shocking thing about this
ending - Dredd fails. By the end of it, Mega-City One is just a shadow of its
former self. Hundreds of millions have died on Dredd’s watch, and while he did his
best to save as many as he could, it just wasn’t enough. He loses.
It did feel like Day of Chaos was a climax
to decades of story, and there was every chance this could be Judge Dredd’s
final tale – his successor is in place, he’s an old man who has been on the
streets for more than 50 years – but he’s still there at the end of Day of
Chaos, standing tall as the city crumbles around him.
Which means there is still the possibility
that this will still actually be the event that ends Joe Dredd. It’s always been
expected that he will go out in the ultimate blaze of glory, or get gunned down
by some punk on the streets, but Mega City-One is broken by the end of this
story, and what if that’s too much for Dredd?
He still has a lot of work to do
to get the remains of the city under control, but once things get back to a
semblance of normality, all that guilt could destroy him.
Make no mistake, I still think Judge Dredd
has been my favourite comic of the past year – it’s unmatched in complexity and
density and excitement, and still one of the most darkly humourous comic around.
(The fact that the Dark Judges get free, only to become instantly irrelevant
because the living are doing a much better job than they could ever manage, is fucking hilarious.)
And it’s a 35-year long game that is still paying
off in unexpected ways. The events of Day of Chaos all happen because Dredd is still paying the price for his actions during
the Apocalypse War. He could admit that he would do the same thing if somebody
destroyed his city, but he still has never apologised for his genocidal destruction of East Meg-One, and has even proved his
point in an actual gruddamned court of law
This is Dredd’s greatest strength, and the
thing that takes the sting out of the sudden end to Day Of Chaos – the story
has decades of tight history to call upon, so something like the Dark Judges
can go on ice for almost 20 years before suddenly bursting back out into the
narrative, or terrible actions prove to have worse consequences across entire
generations.
And the other part of this is that the
story goes on – Mega City-One has been irreparably damaged and there are plenty
of stories to be told in the aftermath of the Chaos Bug. The Day of Chaos
stories finish here (and John Wagner takes a deserved break), but there are
many, many more Judge Dredd stories to come.
Dredd endures.
For now.
For now.
And then there was the Russian rogue
Nikolai Dante, which does not have the benefit of a future. That series has
come to a complete end, and it’s not one I really saw coming
I’ve got a lot more to say about that
particular ending as well, so I'll save it for the next post. Besides, I have the strange urge to go back and read the past five years of Dredd comics all over again. Where did that come from?
2 comments:
I think I know the cafe you mean!
Day of Chaos is the best story in any medium I've seen this year, (although it's not quite the best comic; that honour goes to Joe Sacco's stunning Footnotes in Gaza) and I thought the incredibly downbeat abrupt ending was perfect and the only way to end that story. Showing the judges facing the mounting chaos of the virus would've been gratuitous and nihilistic, (although there's probably scope to show some flashbacks to it, i suppose) and reduce the whole powerful 'actions have consequences down the line' thrust of the storyline to a load of zombie movie cliches. Having said all that, the one thing missing was a 'The End' caption, since it was a bit jarring to not even realise it had finished until reading the following week's Dredd story!
Personally I think John Wagner is probably the best living comics writer because he's still crafting fresh, intelligent and unpretentious stories and defying expectations at a time when even the greatest of his contemporaries are starting to get a bit predictable...
One of the cafe workers did see my bag of goodies and remark that most of his business came from people who had just been to the comic shop....
I think Wagner's work has been absolutely stunning over the past few years, and just as good as he's always been. Day of Chaos is growing on me, more and more, and apart from the shock of the abrupt ending, I was pretty damn impressed the first time round.
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