There's been a lot written about Twin Peaks The Return in the past half decade, because there is a lot to write about - what all that Judy stuff means; what does evil Cooper really want; and where the hell is Audrey anyway?
But one thing that is often overlooked is that all through the series, Lynch is devoted to delivering a solid hour of entertainment, because there is always a kick ass musical segment, played out in full.
The use of music throughout the show is some of Lynch's best - the Otis Redding song playing as Ed and Norma is an all-time great needle drop - but the performances at the Roadhouse are consistently amazing, with trusted performances by undisputed greats like the Nine Inch Nails and Sharon Van Etten, and loads of great synth pop from the Chromatics and Au Revoir Simone.
Even James, still doing his pissy little love song after all these years, brings something to the table.
The world could always use more dramas that peel open the heart of the human condition and holler into the vast existential they find below, but that doesn't mean you can't also have a good time on the dance floor.
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