“Batman’s rich history allows him to be interpreted in a multitude of ways. To be sure this is a lighter incarnation but it’s certainly no less valid and true to the character’s roots than the tortured avenger crying out for mommy and daddy.”
The Brave and the Bold cartoon
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Admit it, if you like superheroes, you fucking loved the Batman TV show as a kid. And then you hated it as a teenager. And then, if you grew up enough, you started to like it again.
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The good bastards at the comic shop near my work put out a whole bunch of comic magazines on sale for $1 each. Issues of magazines I’d never seen before, many from the TwoMorrows publishing outfit – stuff like Alter Ego, Comic Book Artist and Back-Issue.
I had only seen a small handful of these magazines before, and was surprised how much I enjoyed their unashamed wallowing in nostalgia. The sheer amount of reproduced raw art is responsible for most of that enjoyment and a general tone of unabashed enthusiasm is highly contagious. After reading a long, rambling and highly enjoyable conversation between Dave Cockrum and Mike Grell, any reader will be convinced of the genuine worth of that mid-period Legion of Super-Heroes and that funk-tastic design sense.
But the writers often leave their inner fanboy showing a bit, most notably through their enthusiastic gushing over subjects few others care about. There is also the unfortunate tendency to dismiss the Adam West Batman as an unfortunate diversion from the true Batman which has tarnished the public’s perception of the character and pushed back any serious interpretastions of the concept.
The inherent fanboy can be heard in the sneering. It’s obviously an embarresment to all true Batman fans, a campy glitch in the history of the Dark Knight, the annoying uncle you have to acknowledge.
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But it’s not. It’s brilliant. Turns out this annoying uncle actually has a good sense of humour and all sorts of stories to tell. The Batman TV show from the ‘60s is bright and colourful and cheerful and surprisingly ironic. It’s a bit stupid, but smart in ways that really matter. All those old showbiz hamming, chewing down on the gaudy scenery. Those catchphrases, those actors and that music, imprinted on generations. It’s brilliant.
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When I was a little kid, the first television programmes I ever remember watching were Doctor Who and Batman.
That was my tastes rooted for life.
But I was genuinely excited about the Batman show when my brain was forming, and it was 20 years old then. There is something about that absolute deadpan that made it timeless.
Kids love it because it is loud and fun. It’s got a theme tune that is insanely catchy and these bright characters running around and having adventures. Its most obvious humour level is pitched somewhere around the eight year old’s level, so it always gets them laughing with the dumb joke.
I’ve seen kids in the 21st century fall over themselves in excitement when the Batman TV show was on television. They were eating that stuff up and asking for seconds. Their parents didn’t understand.
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And then you get older and a girl catches you reading something meaty like The Killing Joke and laughs at you because she thinks it’s full of Fatman and Slobin and you’re like fuck that shit
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I once had a lovely conversation with a girl who sometimes has to go out and do weather reports for breakfast television. They make her do the stupidest things, any old excuse to drag the waking eyes over to a TV screen.
She said she knows it’s all horribly embarrassing and tacky and cheesy, but if you show an inch of that knowledge, it just doesn’t work. The only way to avoid being embarrassed is to be as embarrassing as possible. Otherwise you just look stilted and awkward, and that’s much, much worse.
That’s how the television Batman works. There was just enough winking to show they were all in the joke, but not enough to be mean about it.
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I watched it again in my early twenties and it was just stupid, so I filed it away as something best forgotten. Comics are serious business for serious young men. There will be no camp here.
And then I watched an episode with those kids I was talking about earlier, and it was bloody fantastic. The whole programme was dripping with deadpan irony and still played well – four decades after it was made.
It looked crisp and clear in a way that 70s television shows never do. It remains timeless and I can handle a Batman that digs the day.
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That’s not everybody’s Batman. Many remain convinced that the tortured avenger of the night is the only valid interpretation of a cultural icon that is deserving of the respect its history deserves. Other people just like a Batman who grimaces and throws bad guys into meat grinders.
Others like a Batman who can be a bit competitive, while always fair. Who isn’t afraid to show others how it’s done and can do it with a laugh.
There have been a lot of thoughtful and genuinely mature stories about Batman that have been absolutely fantastic. There have also been a lot of goofy and funny stories that have been so enjoyable.
They’re all valid interpretations.
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Nananananananana! Nananananananana! Batman! Batman! BATMAN! Nananananananana!
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I still know loads of people who love reading comics, but wouldn’t be caught dead with them in public. While there are more people reading Sandman on the train than ever before, it’s still perceived as a child’s medium in western eyes. If you like it, you must be immature.
Well, so what? What’s wrong with liking a kid’s product if it’s smart and funny enough? It doesn’t do any harm. If people laugh at you because you get a bit over-excited about Batman and Robin, that’s their problem. It shouldn’t taint my enjoyment of it.
It took me fuckin’ years to figure this out.